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Abstract. The author considers the universal "da tong" of Oriental culture from the point of view of its impact on the formation and development of such poetological phenomena as "inner" cycle, researches the participation of this universal in cycle formation by the material of O. Mandelstam’s poetry, devoted primarily to world culture, and pays particular attention to the identification of those formal-content features of the text that reveal the possible ways of this type implementation in special cyclic formation.
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Key words and phrases: О. Мандельштам, "внутренний" цикл, лирический цикл, восточные универсалии, "да-тун", мировая культура, O. Mandelstam, "inner" cycle, lyrical cycle, Oriental universals, "da tong", world culture
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Русский
