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Abstract. The article discusses the artistic originality of wedding-ritual poetry of three small nations of southern Dagestan. The paper emphasizes the significant role played by the connection of the text and melody, the music community of all southern Dagestan peoples, reveals their national identity. It is noted that in the wedding-ritual poetry of all three peoples descriptive and expressive means are widely used, and the priority is given to symbolism, techniques of parallelism. Various methods of wedding songs rhyming are considered: cross, adjacent, ring one.
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Key words and phrases: свадебный церемониал, ритуалы, герои свадебных песен, жених, невеста, форма бенда, рифмовка, специфические символы, восточная поэзия, wedding ceremony, rituals, characters of wedding songs, groom, bride, bend shape, rhyming, specific symbols, Eastern poetry
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Русский
