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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2016. № 12. Part 3. P. 29-33.
SCIENTIFIC AREA:    Philological Sciences
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THE ORIGINALITY OF NATIONAL COLORING RECEPTION IN THE TRANSLATION OF L. E. CHERKASSKY

Liu Zhiqiang
Far Eastern Federal University


Abstract. The author of the article, having chosen the reception of poetic translation as the subject of the study, considers it by the example of the creative work of L. E. Cherkassky, who is a prominent Russian sinologist and an active enlightener of the Chinese culture in Russia. Comparing the original and the translations made by Cherkassky, the author of the article comes to the conclusion about the principles of preserving the national coloring of China in translations of the Chinese poetry into the Russian language.
Key words and phrases: поэтический перевод, Л. Е. Черкасский, национальный колорит, рецепция художественного текста, китайский дух, символы Китая, новая китайская поэзия, poetic translation, L. E. Cherkassy, national coloring, literary text reception, Chinese spirit, Chinese symbols, new Chinese poetry
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