THE POEM BY IVAN KARAMAZOV IN B. BLACHER’S INTERPRETATION (THE ORATORIO "THE GRAND INQUISITOR", 1943)
Bogomolova Irina Anatol'evna
Herzen State Pedagogical University of Russia
Abstract. The article is devoted to interpreting the chapter "The Grand Inquisitor" from the novel by F. M. Dostoyevsky "The Brothers Karamazov" by the language of another kind of art - music. The paper examines the oratorio of the same name written in fascist Germany in the midst of the Second World War by the German composer Boris Blacher, whose creative work is insufficiently investigated by domestic scientists (musicologists, literary critics). The author focuses equally on the composer’s personality and on the textual and musical components of his composition.
Key words and phrases: глава "Великий инквизитор", театральные интерпретации, жанр "Страсти" (или пассионы), три искушения Христа Дьяволом, музыкальные интерпретации романа "Братья Карамазовы", ораториальный тип "Страстей", chapter "The Grand Inquisitor", theatrical interpretations, "Passions" genre, three temptations of Christ by the Devil, musical interpretations of the novel "The Brothers Karamazov", oratorical type of "Passions"
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Русский
