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SOURCE:   Philological Sciences. Issues of Theory and Practice. Tambov: Gramota, 2018. № 1. Part 1. P. 18-21. ISSN 1997-2911.
SCIENTIFIC AREA: Philological Sciences
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https://doi.org/10.30853/filnauki.2018-1-1.4

CONCERT VISUALIZATION IN THE SONG POETRY: ATTEMPT OF SUBTEXT TYPOLOGY

Ivanov Dmitrii Igorevich, Gavrikov Vitalii Aleksandrovich
Guangdong University of Foreign Studies; Ivanovo State University

Russian Presidential Academy of National Economy and Public Administration (Branch) in Bryansk


Abstract. By the material of the Russian rock culture the article considers the specifics of the subtextual organization of the visual series of song poetry, which is a synthetic text consisting of a complex of interacting subsystems (author/authorized homogeneous texts belonging to any sphere of semiosis). Moreover, each subtextual, supertextual subsystem, actualized in the space of concert visualization (static design of the stage (scenery); dynamic design of the stage; musical and poetic performance (plot action); gesture-mimic complex, the appearance of performers, the spectators’ space) is endowed with conceptual properties and powerful meaning-forming potential.
Key words and phrases: синтетический текст, рок-культура, песенная поэзия, концертная визуализация, субтекст, synthetic text, rock culture, song poetry, concert visualization, subtext.
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