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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2018. № 10. Part 1. P. 33-36.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/filnauki.2018-10-1.7

AUTHOR’S IMAGE IN K. G. PAUSTOVSKY’S STORY "THE GOLDEN ROSE": TRADITIONS OF THE RUSSIAN LITERARY CRITICISM IN CHINA
Yang Yan
Far Eastern Federal University
Submitted: 29.06.2018
Abstract. In modern Paustovsky studies the problem of the author’s image, its role and functions in the structure of "The Golden Rose" is a key one. The Russian literary critics repeatedly argued that the chapters of the story "The Golden Rose" form a harmonious whole just due to the presence of the transparent author’s lyrical image, so when analyzing the story and translating it into Chinese the Chinese scientists rely on the tradition of the Russian school of literary criticism. The article summarizes and analyzes the perception and interpretation of the author’s image in Paustovsky’s story in the Russian and Chinese literary criticism.
Key words and phrases: повесть К. Г. Паустовского "Золотая роза", образ автора, русская и китайская исследовательская рецепция, повествователь, лирический герой, образ друга-читателя, K. G. Paustovsky’s story "The Golden Rose", author’s image, Russian and Chinese tradition of literary criticism, narrator, lyrical hero, reader-friend’s image
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