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SOURCE:   Philological Sciences. Issues of Theory and Practice. Tambov: Gramota, 2018. 11. Part 1. P. 25-29. ISSN 1997-2911.
SCIENTIFIC AREA: Philological Sciences
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https://doi.org/10.30853/filnauki.2018-11-1.5

OPPOSITION OF AUTHORS AND ADDRESSEES IMAGES AS A COMPOSITION TECHNIQUE IN HAGIOGRAPHIC LYRICS BY GONZALO DE BERCEO

Ivanova Nina Vladimirovna
Herzen State Pedagogical University of Russia


Submitted: 24.08.2018.
Abstract. The article deals with the peculiarities of the composition of Gonzalo de Berceos hagiographic works connected with the opposition of authors and addressees images. The techniques that provide mobility and dialogueness of the analysed works, namely, the opposition of authors and addressees views, their change or combination, are ascertained. The analysis of the composition peculiarities of Gonzalo de Berceos hagiographic lyrics with due regard to the positions of author and addressee makes it possible to conclude that the antithesis under consideration forms a secondary plot stratum, partially remaining outside the texts, but playing a certain role in creating their emotional colouring.
Key words and phrases: , (mester de clerec?a), , , (, ), medieval Spanish literature, academic art (mester de clerec?a), Gonzalo de Berceo, authors image, image of addressee (listener, reader).
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