OPPOSITION OF AUTHOR’S AND ADDRESSEE’S IMAGES AS A COMPOSITION TECHNIQUE IN HAGIOGRAPHIC LYRICS BY GONZALO DE BERCEO
Ivanova Nina Vladimirovna
Herzen State Pedagogical University of Russia
Submitted: 24.08.2018
Abstract. The article deals with the peculiarities of the composition of Gonzalo de Berceo’s hagiographic works connected with the opposition of author’s and addressee’s images. The techniques that provide еру mobility and dialogueness of the analysed works, namely, the opposition of author’s and addressee’s views, their change or combination, are ascertained. The analysis of the composition peculiarities of Gonzalo de Berceo’s hagiographic lyrics with due regard to the positions of author and addressee makes it possible to conclude that the antithesis under consideration forms a secondary plot stratum, partially remaining outside the texts, but playing a certain role in creating their emotional colouring.
Key words and phrases: средневековая испанская литература, ученое искусство (mester de clerec?a), Гонсало де Берсео, образ автора, образ адресата (слушателя, читателя), medieval Spanish literature, academic art (mester de clerec?a), Gonzalo de Berceo, author’s image, image of addressee (listener, reader)
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