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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2019. № 11. P. 7-10.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/filnauki.2019.11.1

THEOSOPHY OF COLOUR BY ANDREI BELY AND PAVEL FLORENSKY
Akopova Yuliya Alekseevna
Rostov State University of Economics
Submitted: 12.09.2019
Abstract. The article for the first time analyses Andrei Bely’s artistic and philosophical conception of colour in correlation with Pavel Florensky’s doctrine. Florensky’s and Bely’s interpretations of colour symbolism of "celestial visions" are truly mysterious because their cosmogonic conceptions are focused on Sophia, the Divine Wisdom. However, it turns out that Andrei Bely’s colour symbolism is closely associated with the poet’s personal experience and represents his personages’ emotional state. Both the writer and the philosopher aspired to spiritualize the human’s existence, to enable him to see transcendental divine light in its earthly sensual chromatic implementation.
Key words and phrases: позитивизм, метафизика, символизм, трансцендентный, ноуменальный, феноменальный, цветосемантика, символизм, теургия, Андрей Белый, Павел Флоренский, positivism, metaphysics, symbolism, the transcendental, the noumenal, the phenomenal, colour semantics, symbolism, theurgy, Andrei Bely, Pavel Florensky
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