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Abstract. The author discusses the topical questions of specific timbre formation in S. Gubaidulina's viola music, reveals S. Gubaidulina's creative contribution to the formation of the new timbre-images of viola sounding, and describes the wide range of timbre interpretation from sound impressionism to sound symbolism in chamber ensemble works and viola concerts.
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Key words and phrases: C. Губайдулина, музыка для альта, тембр, звук, виртуозность нового плана, исполнительское искусство, S. Gubaidulina, music for viola, timbre, sound, new plan virtuosity, performing arts
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Русский
