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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. № 3. Part 1. P. 192-194. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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POST-MODERNIST CONTENTS IN ACADEMIC AND LIGHT MUSIC OF THE FIRST HALF OF THE xx TH CENTURY

Shak Fedor Mikhailovich
Krasnodar State University of Culture and Arts


Abstract. The authors of modern art researches exaggerate the methodological significance of post-modernist principles and conceptions. As a result absolutely different types of elite and mass music are labeled as post-modernistic. The author of the article moderately criticizes the opinions of the researchers interpreting the creative work of the composers А. Berg, R. Graettinger, D. Ellington in post-modernistic perspective. R. Shleifer’s theories are independently considered, who analyzes the American mass song of 1930-1940 from the position of its belonging to modernist art.
Key words and phrases: постмодернизм, модернизм, авангард, атональность, элитарная культура, массовая музыка, популярная музыка, джаз, эстрада, музыкальная критика, свинг, стилистика, postmodernism, modernism, avant-garde, atonality, elite culture, mass music, popular music, ja.
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