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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. 4. Part 1. P. 96-99. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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SELF-CONSCIOUSNESS EVOLUTION OF REALIST PAINTER OF THE FIRST HALF OF THE XX CENTURY BY EXAMPLE OF N. YA. SIMONOVICH-EFIMOVAS SELF-PORTRAITS

Kovycheva Elena Ivanovna
Udmurt State University


Abstract. The article analyzes N. Ya. Simonovich-Efimovas self-portraits in the context of the painters self-consciousness evolution at various stages of the sociocultural history of Russia of the first half of the XX century. The masters creative work, alternative to the official trends, hasnt been examined yet in the Russian art criticism, although its value is indubitable due to adherence to art eternal qualities: interest for reality, humanism, belief in the creative personalitys freedom, firmness in the assertion of ones ideals.
Key words and phrases: , , , , self-portrait, creative self-consciousness, realism, totalitarian culture.
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References:
  1. Efimov I. S. Ob iskusstve i khudozhnikakh: khudozhestvennoe i literaturnoe nasledie. M.: Sovetskii khudozhnik, 1977. 423 s.
  2. Simonovich-Efimova N. Ya. Vospominaniya o Valentine Aleksandroviche Serove. L.: Khudozhnik RSFSR, 1964. 188 s.
  3. Simonovich-Efimova N. Ya. Zapiski petrushechnika i stat'i o teatre kukol. L.: Iskusstvo, 1980. 272 s.
  4. Simonovich-Efimova N. Ya. Zapiski khudozhnika. M.: Sovetskii khudozhnik, 1982. 324 s.

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