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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. № 5. Part 1. P. 30-32. ISSN 1997-292X.
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Berezhnaya Elena Alekseevna
Saint-Petersburg University of Humanities and Social Sciences

Abstract. The article deals with the problem of the perception of an actor’s body by the spectator in a plastic theatre from the viewpoint of phenomenology and body-oriented approach in cognitive sciences. The paper investigates the method of the presentation of a piece of art by the example of the plastic theatre "PoemaTheatre" and the specifics of the perceptive process of a recipient. The author reveals the meaning of the phenomenon of "body thresholds" and also analyzes the peculiarities of the metaphysical interaction of the bodies of an actor and a spectator during the performance.
Key words and phrases: тело, телесность, пластический театр, восприятие, феноменология, телесно-ориентированный подход, body, physicality, plastic theatre, perception, phenomenology, body-oriented approach.
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