Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 6. Part 1. P. 157-161.
THE FRENCH IMPRESSIONISM AND CLAUDE DEBUSSY: IN SEARCH OF NEW REALITIES
Perich Olesya Valer'evna
Far Eastern State Academy of Arts
Abstract. The issue of the correlation between the creativity of the French composer Claude Debussy and the pictorial impressionism of the end of the XIX - the beginning of the XX century is at the centre of attention in the article. The author believes that the stable opinion formed in musicology about Debussy as a composer-impressionist gives an idea about the originality of his music only to some extent. Impressionism is considered as a peculiar manifestation of the "neo-mythologism" of the age, which greatly defined the specificity of the composer’s creative conception.
Key words and phrases: художественный и музыкальный импрессионизм, мифологизм, натуралистическое искусство, пейзаж, природа, эстетика созерцания, artistic and musical impressionism, mythologism, naturalistic art, landscape, nature, aesthetics of contemplation
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