GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Issues of Theory and PracticePhilological Sciences. Issues of Theory and PracticeManuscript

Archive of Scientific Articles

SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. 6. Part 2. P. 185-189. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

PECULIARITIES OF METHODS AND TECHNOLOGY OF PAINTING IN WORKS OF THE UKRAINIAN PLEIN-AIR PAINTERS

Chursin Aleksandr Viktorovich
Kharkiv State Academy of Design and Arts, Ukraine


Abstract. Plein-air tradition in the Ukrainian painting from the middle of the 90s of the XX century has been going through true renaissance. During the time of the rapid pace of historical development painters look for more mobile ways to work. A spontaneous sketch in plein-air is perceived by lots of landscape painters as a final goal in creativity now. Plein-air landscape becomes an essential phenomenon, which meets the requirements of time. In the article the means of the technology and methods of painting that are used in their work by artists - the members of modern creative plein-airs without a possibility to paint long and carefully and to treat pictorial surface as it is possible in the conditions of the studio are considered. Therefore, painting in plein-air has a number of peculiarities, which are inherent to just plein-air and connected with the limited time of work performance.
Key words and phrases: , , , , , , , painting, plein-air, sketch, landscape, creativity, technology, methods.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Akvamarin - 2011: osennii plener (1.XI-1.XII.2011): katalog. Sevastopol', 2011. 4 s.
  2. Aleksandrov A. V. Vliyanie traditsii masterov "Soyuza russkikh khudozhnikov" na stanovlenie vladimirskoi shkoly zhivopisi [Elektronnyi resurs]. URL: http://www.gramota.net/materials/3/2014/5-1/1.html (data obrashcheniya: 02.04.2014).
  3. Batlman 2012: mzhnarodnii plener: al'bom-katalog. Sevastopol', 2012. 59 s.
  4. Van Gog Vinsent. Pis'ma k bratu Teo. SPb.: Izdatel'skii dom "Azbuka-klassika", 2008. 380 s.
  5. Velikie khudozhniki: ikh zhizn', vdokhnovenie i tvorchestvo. K.: OOO "Iglmoss Yukrein", 2003. Chast' 15. F. Mille i barbizonskaya shkola. 31 s.
  6. Kandinskii V. O dukhovnom v iskusstve (zhivopis') // Tvorchestvo. 1989. 1. S. 12-14.
  7. Konchalovskii: obraz i tsvet: al'bom. M.: Izobrazitel'noe iskusstvo, 1984. 28 s.
  8. Nosenko A. Zhivopisnii obraz Odesi v peizazhakh Volodimira Litvinenka // Obrazotvorche mistetstvo. 2006. 3. S. 104-105.
  9. Pamyati N. M. Chernyshova // Khudozhnik. 1979. 12. S. 19-24.
  10. Reitersverd O. Impressionisty pered publikoi i kritikoi. M.: Iskusstvo, 1974. 298 s.
  11. Rpns'k pleneri (do 160-rchchya vd dnya narodzhennya . Yu. Rpna). Kharkv: Maidan, 2004. 44 s.
  12. Fedoruk O. Slovo redaktora // Obrazotvorche mistetstvo. 2013. 2. S. 2-5.
  13. Chursna V. . Robota na plener: problemi teor tvorcho praktiki // Vsnik Kharkvs'ko derzhavno akadem dizainu mistetstv. Kharkv: KhDADM, 2011. 5. S. 149-152.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

2006-2019 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru