GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Issues of Theory and PracticePhilological Sciences. Issues of Theory and PracticeManuscript

Archive of Scientific Articles

SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 10. Part 2. P. 102-105. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

FORMATION OF GENRE OF ROMANTIC PIANO ETUDE IN RUSSIA OF THE END OF THE XIX - THE BEGINNING OF THE XX CENTURY

Maslova Tat'yana Yur'evna
Children’s Art School of Nizhny Novgorod Region in Kulebaki


Abstract. In the article the panorama of the formation and development of the genre of piano etude in Russia of the end of the XIX - the beginning of the XX century is presented. The author proposes a typology of the genre of piano etude, and identifies two branches in the development of the genre: vocal interpretation proceeding from the immanent properties of the grand piano in the manner of Chopin and the orchestral interpretation of the piano in the spirit of Liszt. From this perspectives in the work the etude creativity of such Russian composers as A. G. Rubinstein, S. M. Lyapunov, and A. S. Arensky is considered; the features of their styles are analyzed, and the characteristics of the main types of etude genre are suggested.
Key words and phrases: инструктивный этюд, концертный этюд, программный этюд, память жанра, семантическое поле жанра, симфонизация жанра, камерная трактовка жанра, instructive etude, concert etude, program etude, genre memory, semantic field of genre, symphonization of genre, chamber interpretation of genre.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Asaf'ev B. V. Russkaya muzyka: XIX i nachalo XX veka. L.: Muzyka (Leningr. otd-nie), 1968. 324 s.
  2. Barenboim L. Anton Grigor'evich Rubinshtein: v 2-kh t. L.: Muzgiz (Leningr. otd-nie), 1957. T. 1. 1829-1867. 455 s.
  3. Zenkin K. V. Fortepiannaya miniatyura i puti muzykal'nogo romantizma. M.: Mosk. gos. konservatoriya im. P. I. Chaikovskogo, 1997. 415 s.
  4. Mil'shtein Ya. Ferents List: monografiya: v 2-kh t. M.: Muzyka, 1971. T. 1. 864 s.; T. 2. 600 s.
  5. Nazaikinskii E. V. Poetika muzykal'noi miniatyury // Nazaikinskii E. V. Stat'i o muzyke. M., 2008. S. 371-391.
  6. Terent'eva N. A. Zarubezhnye instruktivnye etyudy i uprazhneniya pervoi poloviny XIX veka dlya fortepiano: avtoref. diss. … k. iskusstvovedeniya. L., 1974. 24 s.
  7. Tsypin G. M. A. S. Arenskii. M.: Muzyka, 1966. 179 s.
  8. Shabshaevich E. M. Russkaya fortepiannaya kul'tura glinkinskoi epokhi: diss. … k. iskusstvovedeniya. M., 1995. 252 s.
  9. Shifman M. S. Dvenadtsat' etyudov Lyapunova i nekotorye voprosy ikh interpretatsii // Voprosy muzykal'no-ispolnitel'skogo iskusstva / pod red. L. S. Ginsburga, A. A. Solovtsova. M.: Muzgiz, 1958. Vyp. 2. S. 374-401.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

© 2006-2019 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru