GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Issues of Theory and PracticePhilological Sciences. Issues of Theory and PracticeManuscript

Archive of Scientific Articles

SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 12. Part 3. P. 201-209. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

DIRECTIONS OF SCIENTIFIC ART: BIOART

Shtepa Viktor Ivanovich, Erokhin Semen Vladimirovich, Gagarin Vladimir Evgen'evich
Lomonosov Moscow State University


Abstract. The article conducts the analysis of the process of the formation of bioart as a particular case of scientific art - a transdisciplinary area, within the boundaries of which the synthesis of discourse thinking and intuitive judgment is exercised presupposing the adaptation of the methods of natural and exact sciences for the formation of scientifically based art, and the methods of art - for the formation of new scientific theories. The potential of the integration of art and biological sciences including the potential of applying the technologies of synthetic biology in actual art is revealed.
Key words and phrases: биоарт, биологическое искусство, биотехнологическое искусство, генетическое искусство, трансгенное искусство, актуальное искусство, научное искусство, bioart, biological art, biotechnological art, genetic art, transgenic art, actual art, scientific art.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Ben'yamin V. Proizvedenie iskusstva v epokhu ego tekhnicheskoi vosproizvodimosti. Izbrannye esse / pod red. Yu. A. Zdorovogo. M.: Medium, 1996. 270 s.
  2. Bulatov D. Novoe sostoyanie zhivogo: k voprosu o tekhnobiologicheskom iskusstve // Gumanitarnaya informatika. 2011. Vyp. 6. S. 55-64.
  3. Gagarin V. E., Erokhin S. V., Shtepa V. I. Mezhdunarodnyi opyt institualizatsii nauchnogo iskusstva // Vestnik Tomskogo gosudarstvennogo universiteta. 2012. № 2 (355). S. 37-41.
  4. Dokinz R. Samoe grandioznoe shou na Zemle: dokazatel'stva evolyutsii / per. s angl. D. Kuz'min. M.: Astrel'; CORPUS, 2012. 496 s.
  5. Devis D. Monstry, karty, signaly i kody // Logos. 2006. № 4 (55). S. 93-111.
  6. Erokhin S. V. Teoriya i praktika nauchnogo iskusstva. M.: MIEE, 2012. 208 s.
  7. Erokhin S. V. Tsifrovoe komp'yuternoe iskusstvo. SPb.: Aleteiya, 2011. 192 s.
  8. Erokhin S. V. Estetika tsifrovogo izobrazitel'nogo iskusstva. SPb.: Aleteiya, 2010. 432 s.
  9. Zhirmunskii V. M. K voprosu o "formal'nom metode": vstupitel'naya stat'ya // Val'tsel' O. Problema formy v poezii. P.: ACADEMIA, 1923. S. 5-23.
  10. K voprosu o geneticheski modifitsirovannom zhivopisanii: kruglyi stol // Logos. 2006. № 4 (55). S. 58-79.
  11. Nauchnoe iskusstvo: materialy I Mezhdunarodnoi nauchno-prakticheskoi konferentsii (4-5 aprelya 2012 g.) / pod red. V. V. Mironova; MGU imeni M. V. Lomonosova. M.: MIEE, 2012. 288 s.
  12. Petrov V. M. Nauka i iskusstvo: zachem vzaimodeistvovat'? // Eksperimental'noe iskusstvo: vliyanie teorii na khudozhestvennoe tvorchestvo: sbornik statei / pod red. O. Lichchiardello, S. Lombardo, V. Petrova. M.: GII, 2011. S. 7-12.
  13. Uilson S. Iskusstvo i nauka kak kul'turnye deistviya // Logos. 2006. № 4 (55). S. 112-126.
  14. Feinberg E. L. Dve kul'tury. Intuitsiya i logika v iskusstve i nauke. Fryazino: Vek 2, 2004. 288 s.
  15. Evolyutsiya ot kutyur: iskusstvo i nauka v epokhu postbiologii / pod red. D. Bulatova. Kaliningrad: KF GTsSI, 2009. Ch. 1. 196 c.
  16. Andrews L. B. Art as a Public Policy Medium // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 124-149.
  17. Anker S. Visual Culture and Bioscience: Issues in Cultural Theory. Washington, D.C., 2009. 246 r.
  18. Anker S., Nelkin D. The Molecular Gaze: Art in the Genetic Age. N. Y.: Cold Spring Harbor Laboratory Press, 2004. 246 r.
  19. Bec L. Life Art // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 83-92.
  20. BIOMEDIALE. Sovremennoe obshchestvo i genomnaya kul'tura / pod red. D. Bulatova. Kaliningrad: KF GTsSI; Yantarnyi skaz, 2004. 500 s.
  21. Catts O., Zurr I. Semi-Living Art // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 231-247.
  22. Clarke K. From the Blood of Poets // Art Journal. 1996. Vol. 55. № 1. Contemporary Art and the Genetic Code. P. 27-29.
  23. Davis J. Cases for Genetic Art // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 249-266.
  24. Davis J. Microvenus // Art Journal. 1996. Vol. 55. № 1: Contemporary Art and the Genetic Code. P. 70-74.
  25. De Menezes M. Art: In Vivo and In Vito // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 215-229.
  26. Gessert G. Why I Breed Plants // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 185-197.
  27. Ginsberg A. D. The Synthetic Kingdom // Second Nature. 2010. № 3. P. 266-284.
  28. Kac E. Art That Looks You in the Eye: Hybrids, Clones, Mutants, Synthetics, and Transgenics: introduction // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 1-27.
  29. Kac E. Life Transformation - Art Mutation // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 163-184.
  30. Kac E. Transgenic Art [Elektronnyi resurs] // Leonardo Electronic Almanac. 1998. Vol. 6. № 11. URL: http://mitpress.mit.edu/e-journals/LEA (data obrashcheniya: 12.04.2012).
  31. Lestel D. Liberating Life from Itself: Bioethics and Aesthetics of Animality // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 151-160.
  32. Michaud Y. Art and Biotechnology // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 387-394.
  33. Mitchell R. Bioart and the Vitality of Media. Seattle - L.: The University of Washington Press, 2010. 168 p.
  34. Myers W. Bio Design. Nature, Science, Creativity. N. Y.: The Museum of Modern Art, 2012. 288 p.
  35. Paul C. Time Capsule: A Site-Specific Work by Eduardo Kac // Intelligent Agent. 1998. Vol. 2. № 2. P. 4-13.
  36. Perry P. Good and Evil on the Long Voyage // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 211-214.
  37. Reichle I. Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art. Wien - N. Y.: Springer, 2009. 422 r.
  38. Stafford B. M. From Genetic Perspective to Biohistory: The Ambiguities of Looking Down, Across, and Beyond // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 373-386.
  39. Thacker E. Open Source DNA and Bioinformatic Bodies // Signs of Life: Bio Art and Beyond / ed. by E. Kac. Cambridge - L.: The MIT Press, 2009. P. 31-42.
  40. Wilson S. Art + Science Now. N. Y.: Thames & Hudson, 2012. 208 p.

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

© 2006-2019 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru