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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2016. № 12. Part 1. P. 126-129. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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MODERN MONUMENTAL PAINTING OF TATARSTAN (1990-2015)

Moskvina Al'bina Renatovna
Institute of Language, Literature and Art named after G. Ibragimov of Academy of Sciences of the Republic of Tatarstan


Abstract. The article reveals the main tendencies, functions, the character of content and image-bearing structure of modern monumental painting in Tatarstan within the space of the interior and the exterior (private and public). Two qualitatively different from each other periods are considered: the 1990s and the beginning of the XX century. The characteristics of existence, artistic language, materials of traditional (stained-glass window, tapestry, mosaic, batik) and new (graffiti) techniques are identified. The terminology of graffiti art is for the first time introduced into scientific circulation.
Key words and phrases: современная монументальная живопись, витраж, гобелен, мозаика, граффити, спрей-арт, modern monumental painting, stained-glass window, tapestry, mosaic, graffiti, spray art.
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