Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 4. Part 1. P. 188-192.
PERCEPTION BY CHRISTINE DAA? OF THE MAIN CHARACTER IN A. L. WEBBER’S MUSICAL "THE PHANTOM OF THE OPERA"
Fedorovskaya Natal'ya Aleksandrovna
Far Eastern Federal University
Abstract. The article deals with the peculiarities of the perception of the main character of A. L. Webber’s musical "The Phantom of the Opera" by Christine Daa?, which influence the formation of her artistic image. It is ascertained that the heroine passes a difficult way: from exalted delight through empathy, fear and doubt to hatred, rage, despair and finally to compassion. Perceiving the appearance of the Phantom Christine is in the power of the stereotype of the monster-killer imposed by the society, but in the final she overcomes it opening her heart to compassion, the acceptance of the inner essence of the main character.
Key words and phrases: Э. Л. Уэббер, "Призрак Оперы", мюзикл, Кристина Даэ, художественный образ, конфликт личности и общества, стереотип чудовища-убийцы, A. L. Webber, "The Phantom of the Opera", musical, Christine Daa?, artistic image, conflict between the individual and the society, stereotype of monster-killer
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