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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2016. 4. Part 1. P. 188-192. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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PERCEPTION BY CHRISTINE DAA? OF THE MAIN CHARACTER IN A. L. WEBBERS MUSICAL "THE PHANTOM OF THE OPERA"

Fedorovskaya Natal'ya Aleksandrovna
Far Eastern Federal University


Abstract. The article deals with the peculiarities of the perception of the main character of A. L. Webbers musical "The Phantom of the Opera" by Christine Daa?, which influence the formation of her artistic image. It is ascertained that the heroine passes a difficult way: from exalted delight through empathy, fear and doubt to hatred, rage, despair and finally to compassion. Perceiving the appearance of the Phantom Christine is in the power of the stereotype of the monster-killer imposed by the society, but in the final she overcomes it opening her heart to compassion, the acceptance of the inner essence of the main character.
Key words and phrases: . . , " ", , , , , -, A. L. Webber, "The Phantom of the Opera", musical, Christine Daa?, artistic image, conflict between the individual and the society, stereotype of monster-killer.
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References:
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  2. Fedorovskaya N. A. Kontseptsiya "Muzyki Nochi" v myuzikle E. L. Uebbera "Prizrak Opery" // Istoricheskie, filosofskie, politicheskie i yuridicheskie nauki, kul'turologiya i iskusstvovedenie. Voprosy teorii i praktiki. Tambov: Gramota, 2012. 5 (31). Ch. 1. S. 183-187.
  3. Fedorovskaya N. A. Myuzikl E. L. Uebbera "Prizrak Opery" v konstruktsiyakh i kontseptsiyakh. Vladivostok: Izd-vo DVFU, 2014. 312 s.
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  5. Hogle J. E. The Undergrounds of the Phantom of the Opera: Sublimation and the Gothic in Lerouxs Novel and Its Progeny. N. Y.: Palgrave Macmillan, 2002. 368 p.
  6. Webber A. L., Hart Ch., Stilgoe R. The Phantom of the Opera (piano-vocal score). Parts I-II. N. Y.: RNH, 2010. 303 p.

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