Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 7. Part 2. P. 25-29.
HYPERREALISM AS A CREATIVE METHOD AND ARTISTIC DIRECTION OF THE SECOND HALF OF THE XX CENTURY
Borisova Anna Gennad'evna, Yukhnina Ol'ga Yur'evna
Saint Petersburg University of the Humanities and Social Sciences
Abstract. The article discusses the notion of hyperrealism as one of realistic artistic directions. The objective of the paper is to identify the causes of the formation and development of hyperrealism as a creative method in contemporary art, as unordinary perception of modern reality, as an ambiguous aesthetic technique. The authors conclude that hyperrealism is a result of the critical discrepancy of the surrounding world and the modern man, a result of the protest of the individual against soulless mass culture, acute experience of the personality’s displacement from the central place in contemporary culture, his/her alienation.
Key words and phrases: гиперреализм, гиперреалистическое мировосприятие, имитация реальности, иллюзия, воспроизведение, репродуцирование, фотореалистичная живопись, hyperrealism, hyperrealistic world perception, imitation of reality, illusion, reproduction, reproducing, photorealistic painting
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