Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 10. Part 1. P. 74-77.
THE METHODOLOGICAL FOUNDATIONS OF THE PIANIST-CONCERTMASTER’S PRACTICAL WORK
RETRACTED 11.01.2021
The article is retracted on the author's request.
Kalitskii Vitalii Valer'evich
Russian State Specialized Academy of Arts
Abstract. The relevance of the research is in the identification of the basic methodological principles of the professional concertmaster’s work. A number of works, covering the consideration of this issue in the methodological and applied perspective, are analyzed. The author reveals the main stages of the work of the concertmaster - a valuable performer of the ensemble. The ability of the concertmaster to find a general conception of the interpretation of the work, without which it is not possible to form an integral artistic image, plays an important role.
Key words and phrases: музыка, концертмейстер, методология исполнительского искусства, ансамблевое творчество, интерпретация, музыкальная практика, music, concertmaster, methodology of performing art, ensemble creativity, interpretation, musical practice
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