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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. 12. Part 3. P. 39-48. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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FIGURATIVE AND ARTISTIC MEANING OF K. MALEVICHS SUPREMATISM IN THE CONTEXT OF SOTERIOLOGICAL PARADIGM. META-IMAGE IN K. MALEVICHS NON-OBJECTIVE PAINTING

Dronik Maiya Vadimovna
Saint Petersburg University of the Humanities and Social Sciences


Abstract. The article examines the meaningful aspect of K. Malevichs suprematic painting. The author proposes an algorithm to interpret non-objective works by K. Malevich and his followers. A semantic analysis of symbols used as the elements of the imaginative system enables the author to conclude that K. Malevichs philosophical and artistic program is developed on the basis of soteriological paradigm and suprematic paintings constitute a whole set of metaphysical images.
Key words and phrases: , . , , , , , , suprematism, K. Malevich, abstract painting, non-objective painting, archetype, meta-image, iconography.
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