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Abstract. The article, in the aspect of power discourse, examines representation of the amateur painter in specialized magazines of the 1930s, identifies specifics of amateur art of this period. Relying on the mentioned publications and works of amateur painters of the end of the 1920s - the 1930s the author analyzes thematic priorities and stylistic specificity of amateur art.
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Key words and phrases: советская культура, самодеятельное искусство, любительское искусство, самодеятельное творчество, дискурс власти, linguistic turn, soviet culture, amateur art, amateur creativity, power discourse, linguistic turn
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Русский
