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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. 3. Part 2. P. 84-86. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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HISTORY OF THE PROBLEM OF DETERMINING SUBJECTIVITY AND OBJECTIVITY IN THE FRAMEWORK OF PERFORMERS INTERPRETATION OF MUSICAL WORKS

Komurdzhi Rustem Zevrievich
Crimean Engineering and Pedagogical University in Simferopol


Abstract. The article considers contradiction between constancy of the composers text and freedom of the performers interpretation. The paper analyzes the theoretical concepts "performance", "interpretation", "objectivity", "subjectivity", "loyalty to the authors text", evolution of their perception in different periods of musical art development. The aims of the work are studying the history of controversy concerning this contradiction and an attempt to present the authors position in this manner.
Key words and phrases: , , , , , , , , performers interpretation, history of performance, reproduction, performance of musical texts, writing notes, subjectivity, objectivity, composers style.
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