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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. 3. Part 2. P. 180-184. ISSN 1997-292X.
SCIENTIFIC AREA: Study of Art
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PHENOMENON OF INTERACTION OF THE PERFORMER A. NASEDKIN WITH S. PROKOFIEVS MUSICAL TEXTURE

Tveritina Elena Vladimirovna
Magnitogorsk State Conservatory (Academy) named after M. I. Glinka


Abstract. The article examines the phenomenon of interaction of the performer-composer Aleksey Nasedkin with musical texture by the composer-pianist Sergei Prokofiev. The mentioned aspect has not previously been an object of scientific research. Analyzing the pianist-performers style the author examines a compositional and dramaturgic decision of the Ten Pieces from the ballet "Cinderella" op. 97 and the Sonata for Flute and Piano D dur , op. 94 , bis by S. Prokofiev. The paper shows a delicate relation of two musical worlds and formation of a co-authorship act.
Key words and phrases: , , , , , , Aleksey Nasedkin, Sergei Prokofiev, performance, articulation, agogics, dynamical dramaturgy.
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