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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. № 4. P. 122-124.
SCIENTIFIC AREA:    Study of Art
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PROBLEM OF DANCE ARTISTIC EXPRESSIVENESS IN CONCEPTIONS OF THE 20S OF THE XX CENTURY

Loginova Marina Vasil'evna, Kondratenko Yurii Alekseevich
Ogarev Mordovia State University in Saransk


Abstract. The article provides an analysis of domestic art conceptions of the beginning of the XX century regarding the problem of dance expressiveness. New principles of human corporality and plastique are justified. Post-revolutionary conceptions emphasize dialectic relation between body mechanics and its artistic expressiveness; researchers of this period identify two aspects of studying corporality (sociological and artistic ones) and establish requirements for expressive motion (meaningful and formal). The authors emphasize importance of conceptions of the beginning of the XX century for further development of the modern dance expressiveness theory.
Key words and phrases: танец, художественная выразительность, пластика, телесность, механика тела, выразительная форма, dance, artistic expressiveness, plastique, corporality, body mechanics, expressive form
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References:
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  2. Volkonskii S. M. Chelovek na stsene. SPb.: Apollon, 1912. 183 s.
  3. Kondratenko Yu. A. Yazyk stsenicheskogo tantsa: vidovaya spetsifika i morfologiya. Saransk: Izd-vo Mordov. un-ta, 2009. 136 s.
  4. Loginova M. V. Ontologiya vyrazitel'nykh form v kul'ture // Vestnik Mordovskogo universiteta. 2014. T. 24. № 4. S. 207-215.
  5. Ritm i kul'tura tantsa: sb. statei Z. Puninoi i Yu. Kharlamova, N. Foreggera, Kollektiva Geptakhora, T. Glebovoi i Z. Verbovoi / pred. A. A. Gvozdeva. L.: Academia, 1926. 79 s.
  6. Sidorov A. A. Sovremennyi tanets. M.: Pervina, 1922. 63 s.

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