Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 8. P. 153-156.
INTERTEXTUAL-RHETORICAL RECEPTIONS OF P. I. TCHAIKOVSKY’S LATE OPERAS
Ponomareva Elena Vladimirovna
Saratov State Conservatoire
Abstract. The article is devoted to the rhetorical aspect of the study of intertextuality in P. I. Tchaikovsky’s late operas. The author focuses on the problem of stylistic heterogeneity of the opera "The Queen of Spades", and considers it from the point of view of the rhetorical trope, cataloging identified intertextual interactions as corresponding figures of the metaphor, metonymy and synecdoche. The new research projection allows normalizing semantically the effect of "eclectic nature" accompanying figures of textual interweaving, revealing presence of the single text-style plane of the opera composition.
Key words and phrases: интертекст как риторическая фигура, опера "Пиковая дама" П. И. Чайковского, стилизация, музыкальная цитата, текст в тексте, intertext as a rhetorical figure, opera "The Queen of Spades" by P. I. Tchaikovsky, stylization, musical quotation, text in text
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