Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 9. P. 173-175.
V. S. SOLOVYOV’S AESTHETIC CONCEPTION AND MODERN ARTISTIC PRACTICE
Smetanina Tat'yana Aleksandrovna, Vanyukhina Aleksandra Mikhailovna
Minin University in Nizhny Novgorod
Abstract. In the article the views of V. S. Solovyov and aesthetic attitudes in theory and practice of modern art are compared. The points of their convergence and divergence are disclosed. The ideas of symbolism, objectivity, harmonizing and transforming function of art, the role of the artist-creator are analyzed as key provisions of V. S. Solovyov’s aesthetic conception. The role of the philosophical and aesthetic conception of V. S. Solovyov as an attempt to overcome the crisis of the European model of culture is noted. Processing creatively Christian aesthetics heritage, V. S. Solovyov reveals possibility and necessity of its adaptation to new sociocultural realia.
Key words and phrases: русская философия, философия Всеединства, кризис культуры, эстетика, символизм, красота, постмодернизм, современное искусство, Russian philosophy, philosophy of universal unity, crisis of culture, aesthetics, symbolism, beauty, postmodernism, modern art
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