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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2018. № 4. P. 120-124.
SCIENTIFIC AREA:    Study of Art
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https://doi.org/10.30853/manuscript.2018-4.27

"THE THIRD WAY" IN SARATOV FINE ARTS OF THE 1930-1940S (I. N. SHCHEGLOV)

Dorogina Elena Alekseevna
Radishchev State Art Museum in Saratov; Saratov State Conservatoire


Submitted: 28.01.2018
Abstract. For the first time the article reveals the signs of "the third way" in Saratov fine arts of the 1930-1940s by the example of the creative work of I. N. Shcheglov. The author investigates the "root system" of the master’s art, analyzes the features of his pictorial method. It is substantiated that the artist’s creativity in terms of his figurative and stylistic characteristics can be attributed to the direction of pictorial realism. The paper shows how the art of "the third way" manifests itself in the period of the cultural climate toughening in the country and how this affects the creative and biographical levels of the artist’s life.
Key words and phrases: "третий путь", живописный реализм, импрессионизм, формализм, соцреализм, Иван Никитич Щеглов (1882-1962), "the third way", pictorial realism, impressionism, formalism, socialist realism, Ivan Nikitich Shcheglov (1882-1962)
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