RHETORIC IN THE CONTEXT OF MUSICAL POETICS OF P. I. TCHAIKOVSKY’S LATE CHAMBER-VOCAL CREATIVE WORK
Ponomareva Elena Vladimirovna
Saratov State Conservatoire
Submitted: 15.05.2018
Abstract. The article considers the problem of rhetorical devices influence on P. I. Tchaikovsky’s late vocal creative work. By the example of the cycle of romances based on D. Ratgauz’s poetry the author identifies special lexical (in particular, "rhetorical figures"), structural, and, consequently, semantic principles conditioned by rhetorical poetics influence. Prosodic and rhetorical analysis has allowed the researcher to justify the appearance of the composer’s monogram in the final romance as a marker of its special dramaturgic status - "romance-prayer" and "romance-testament".
Key words and phrases: П. И. Чайковский, позднее камерно-вокальное творчество, Шесть романсов на стихи Д. Ратгауза, риторические фигуры, музыкальная поэтика, монограмма, P. I. Tchaikovsky, late chamber-vocal creative work, six romances based on D. Ratgauz’s poetry, rhetorical figures, musical poetics, monogram
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Aranovskii M. G. Muzykal'nyi tekst: struktura i svoistva. M.: Kompozitor, 1998. 344 s.
Belova O. P. Romansovaya melodika Chaikovskogo. Mezhdu printsipom stikha i printsipom prozy // P. I. Chaikovskii. K 100-letiyu so dnya smerti: materialy nauchnoi konferentsii. M: MGK im. P. I. Chaikovskogo, 1995. S. 109-116.
Zenkin K. V. Poslednii fortepiannyi opus Chaikovskogo // P. I. Chaikovskii. Zabytoe i novoe: al'manakh. M.: OOO "Intergraf-Servis", 2003. Vyp. 2 / sost. P. Vaidman, G. Belonovich. S. 93-99.
Kalinichenko H. H. Ritoricheskie formuly v pozdnikh proizvedeniyakh Chaikovskogo // Muzykal'naya semiotika: perspektivy i puti razvitiya: sb. st.: v 2-kh ch. Astrakhan': Izd-vo AIPKP, 2006. Ch. 1. S. 212-217.
Lobanova M. N. Zapadnoevropeiskoe muzykal'noe barokko: problemy estetiki i poetiki. M.: Muzyka, 1994. 317 s.
Lotman Yu. M. Ritorika // Lotman Yu. M. Izbrannye stat'i: v 3-kh t. Tallinn, 1992. T. 1. Stat'i po semiotike i tipologii kul'tury. S. 167-183.
Lotman Yu. M. Struktura khudozhestvennogo teksta. M.: Iskusstvo, 1970. 383 s.
Mazel' L. A. Voprosy analiza muzyki. M.: Sovetskii kompozitor, 1978. 376 s.
Sokolov O. V. Muzyka i slovo v romansakh P. I. Chaikovskogo // Sokolov O. V. Stat'i o russkoi muzyke. N. Novgorod: Izdatel'stvo NGGU, 2004. S. 42-63.
Sossyur F. de. Trudy po yazykoznaniyu. M.: Progress, 1977. 696 c.
Frolov S. V. Traurno-elegicheskii kompleks v pervoi kartine opery "Evgenii Onegin" // P. I. Chaikovskii. Zabytoe i novoe: al'manakh. M.: OOO "Intergraf-Servis", 2003. Vyp. 2 / sost. P. Vaidman, G. Belonovich. S. 114-126.
Tsvetaeva M. Sobranie sochinenii: v 7-mi t. M.: Ellis Lak, 1994. T. 4. 440 s.
Shol'p A. E. "Evgenii Onegin" P. I. Chaikovskogo. L.: Muzyka, 1982. 165 s.
Brown D. Tchaikovsky: A Biographical and Critical Study. L.: Victor Gollanch, Ltd., 1982. Vol. 2. The Crisis Years (1874-1878). 312 r.
Русский
