|
Abstract. The article analyzes the problem of the correlation between the European classical traditions of choral (primarily liturgical) music development and its specific qualities in the Russian musical culture of the second half of the XVIII - the beginning of the XIX century. By the example of creativity by J. Sarti and O. A. Kozlovsky, the author considers the practice of the adaptation of imported liturgical genres (oratorio, requiem) on the Russian ground. The paper examines the degree of the actualization of the traditions of Russian spiritual music by composers of foreign origin and the embeddedness of their liturgical compositions in the context of the Russian musical culture of the period under consideration.
|
|
Key words and phrases: русское музыкальное искусство, музыкальный классицизм, богослужебное пение, хоровой концерт, адаптация, жанровая модуляция, творчество Дж. Сарти, О. А. Козловского, Russian musical art, musical classicism, liturgical chant, choral concert, adaptation, genre modulation, creative work by J. Sarti and O. A. Kozlovsky
|
References:
- Antologiya russkoi i vostochno-slavyanskoi dukhovnoi muzyki: v 13-ti t. SPb.: Muzyka, 2000. T. V. Moskovskoe barokko XVII - pervoi chetverti XVIII v. XVI+114 s.
- Gardner I. A. Bogosluzhebnoe penie Russkoi pravoslavnoi tserkvi: v 2-kh t. M.: Pravoslavnyi Svyato-Tikhonovskii bogoslovskii institut, 2004. T. 2. Istoriya. 526+1 s.
- Lebedeva-Emelina A. V. Khorovaya kul'tura Rossii ekaterininskoi epokhi. M.: Kompozitor, 2010. 304 s.
- Polozova I. V. Bogosluzhebnoe penie v Rossii XVIII - nachala XX stoletiya // Problemy muzykal'noi nauki. 2015. № 1. S. 69-74.
- Rytsareva M. G. Dukhovnyi kontsert v Rossii vtoroi poloviny XVIII veka. SPb.: Kompozitor, 2006. 244 s.
- Saponov M. A. Russkie dnevniki i memuary R. Vagnera, L. Shpora, R. Shumana. M.: Deka-VS, 2004. 344 s.
|
Русский
