WEST EUROPEAN AND AMERICAN BRANCHES OF BACHOLOGY: AGREEMENT AND DISAGREEMENT
Svistunenko Tat'yana Anatol'evna
Saratov State Conservatoire
Submitted: 25.03.2019
Abstract. The article examines inherent relations of the German, British and American branches of Bachology. For the first time the author summarizes the findings of the English-speaking (British and American) Bach scholars from the beginning of the XX century till nowadays. The paper describes different aspects of polemics on the problems of authorship, chronology, symbolism and pitch in the composer’s works. The study contains information on the American Bach Society, scientific periodicals ("Bach Perspectives", "Bach: Journal of the Riemenschneider Bach Institute", "Bach Notes" bulletin) and modern reference literature on Bachology.
Key words and phrases: баховедение, родство и полемика, проблемы авторства, хронология, символика, высота тона, композиторы-предшественники, Американское Баховское общество, Bachology, agreement and disagreement, problems of authorship, chronology, symbolism, pitch, composers-predecessors, American Bach Society
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Bodki E. Interpretatsiya klavirnykh proizvedenii I. S. Bakha / per. s angl. A. E. Maikapara. M.: Muzyka, 1993. 388 s.
Druskin M. Ocherki. Stat'i. Zametki. L.: Sov. kompozitor, 1987. 304 s.
Maister Kh. Muzykal'naya ritorika: klyuch k interpretatsii proizvedenii I. S. Bakha / per. s nem. L. Shishkhanovoi. M.: Klassika-KhKhI, 2009. 112 s.
Shabalina T. V. Rukopisi I. S. Bakha: klyuchi k tainam tvorchestva. SPb.: Logos, 1999. 439 s.
Bach Perspectives. Lincoln - L.: University of Nebraska Press, 1998. Vol. 3. Creative Responses to Bach from Mozart to Hindemith / ed. by M. Marissen. 162 r.
Bakker P. Postmoderne getallen. Ruth Tatlow over getalsverhoudingen in de geschreven muziek van Johann Sebastian Bach. Schraard: Kunst en Wetenschap, 2015. 28 S.
Bodky E. The Interpretation of Bach’s Keyboard Works. Connecticut: Greenwood Press; Publisher Westport, 1960. 421 r.
Boyd M. Bach Chorale Harmonization and Instrumental Counterpoint: in 2 parts. L.: Kahn and Averill, 1999. Part I. 39 p.; Part II. 39 p.
Boyd M. Bach. The Master Musicians / series ed. by Stanley Sadie. Oxford: Oxford University Press, 1995. 279 p.
Bukofzer M. Musis in the Baroque Era. From Monteverdi to Bach. N. Y.: Norton, 1947. 489 p.
Carrell N. Bach the Borrower. L.: Allen & Unwin, 1967. 396 p.
Crist St. The Early Works and the Heritage of the Seventeenth Century // The Cambridge Companion to Bach / ed. by John Butt. Cambridge, 1997. R. 75-85.
Dirksen P. Georg B?hm’s Keyboard Music: Questions of Authorship and Connections with the Music of J. S. Vach // Bach: Journal of the Riemenschneider Bach Institute. 2018. Vol. 49. № 1. R. 93-115.
Eggebrecht H. H. Bachs Kunst der Fuge: Erscheinung und Deutung. Munich, 1984. XVIII+141 S.
Geiringer K. The Bach Family. Seven Generations of Creative Genius. L.: Allen & Unwin, 1954. 514 p.
Hill R. S. Keyboard Music from the Andreas Bach Book and the M?ller Manuscript / foreword by Chr. Wolff. Cambridge, Mass.: Harvard University Press, 1991. 258 r.
Kerman J. The Art of Fugue. Bach Fugues for Keyboard 1715-1750. Includes a CD with New Recording by Davitt Moroney and Karen Rosenak. Berkley - Los Angeles - L.: University of California Press, 2005. 173 p.
Mann A. The Study of Fugue. The First History of Fugal Theory, Including Texts and Music of the Classical Treatises. N. Y.: Norton, 1965. 340 p.
Marissen M. Bach & God. Oxford University Press, 2016. 288 p.
Marshall R. L. The Music of Johann Sebastian Bach. The Sources, the Style, the Significance. N. Y.: Schirmer Books, 1989. 375 p.
Meister H. Musikalische Rhetorik und ihre Bedeutung f?r das Verst?ndnis barocker Musik, besonders der Musik J. S. Bachs. Regensburg: Feuchtinger & Gleichaft, 1995. 112 S.
Melamed D. R., Marissen M. An Introduction to Bach Studies. N. Y. - Oxford: Oxford University Press, 1998. 189 r.
Murata K. Bach’s Reception of Contrapuntal Technique in Weimar: A Focus on His Cooperative Exploration with Johann Walther // BACH NOTES. Newsletter of the American Bach Society. 2018. Spring. № 28. Paper Session IV.
Oldroyd G. The Technique and Spirit of the Fugue. Oxford - L. - N. Y.: Oxford University Press, 1948. 198 p.
Parry Ch. H. H. Johann Sebastian Bach. The Story of the Development of a Great Personality. N. Y. - L.: G. P. Putman’s Sons, 1909. 584 r.
Schmieder W. Thematisch-systematisches Verzeichnis der mus. Werke von J. S. Bach. 2. ?berarbeitete und erweiterte Ausgabe. Wiesbaden: Breitkopf & H?rtel, 1990. 940 S.
Schulenberg D. The Keyboard Music of J. S. Bach. Second edition. N. Y. - L.: Routledge, 2006. 530 p.
Siegele U. Bachs theologischer Formbegriff und das Duett F-dur: ein Vortrag Neuhausen-Stuttgart, 1978. Translated as Bach’s Theological Concept of Form and F Major Duet // Music Analysis. 1992. № 11. R. 245-278.
Spitta Ph. Johann Sebastian Bach. His Work and Influence on the Music of Germany, 1685-1750: in 3 vols. / transl. by C. Bell and J. A. Fuller Maitland. L. - N. Y.: NOVELLO, Ewer and Co., 1899. Vol. I. 656 p.; Vol. II. 721 p.; Vol. III. 419 p.
Tatlow R. Bach and the Riddle of the Number Alphabet. Cambridge: Cambridge University Press, 1991. 186 p.
Tatlow R. Bach’s Numbers: Compositional Proportion and Significance. Cambridge: Cambridge University Press, 2015. 430 p.
Terry Ch. S. Bach. The Historical Approach. L. - N. Y.: Oxford University Press, 1930. 157 r.
Terry Ch. S. J. S. Bach. L.: Oxford University Press, 1929. 372 p.
Wolff Chr. Bach: Essays on His Life and Music. Cambridge, Massachusetts - L.: Harvard University Press, 1991. XIII+461 r.
Русский
