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License Agreement on scientific materials use.
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EARLY PERIOD IN JEAN-LUC GODARD'S CREATIVITY OR CITING AS THE METHOD OF ANTI-CINEMA CREATION
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Vladimir Vyacheslavovich Vinogradov
Department of Film Art Study of All-Russian University of Cinematography named after S. A. Gerasimov
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Submitted:
March 14, 2011
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Abstract.
The article is devoted to the early period of the creativity of one of the main cinematograph reformers of the 60s - Jean-Luc Godard. The basic artistic strategies of the producer of this period are tackled in the article. The author pays special attention to the problem of Godard's specific model of anti-cinematograph devoid of traditional narrative components.
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Key words and phrases:
«камера-перо»
«новая волна»
«синема-верите»
механизм цитирования
ризома
"camera-pen"
"new wave"
"cinéma vérité"
citing mechanism
rhizome
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Open
the whole article in PDF format. Free PDF-files viewer can be downloaded here.
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References:
- Борьба на два фронта Жан-Люк Годар и группа Дзига Вертов. 1968-1972: сб. статей / сост. и пер. К. Медведев, К. Адибеков, Б. Нелепо, С. Дорошенко. М.: Свободное марксистское издательство, 2010.
- По Э. А. Избранное. М.: Художественная литература, 1984.
- Astruc A. Naissance d'une nouvelle avant-garde: la caméra-stylo // L'Ecran français. 1948. № 144. 30 mars.
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