Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

Archive of Scientific Articles

ISSUE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Theory & Practice. 2011. Issue 8-1
COLLECTION:    Art Criticism

All issues

License Agreement on scientific materials use.

SINGING CANON AND ITS TRANSFORMATION IN NEW TREND COMPOSERS' CREATIVE WORKS AT THE END OF THE XIXTH - THE BEGINNING OF THE XXTH CENTURY

Zhamilya Gaziz'yanovna Kapitonova
College of Far Eastern Federal University


Submitted: November 5, 2011
Abstract. The author sets the task to consider the effect of the preservation and transformation of artistic canon by the example of zadostoinik (a type of liturgical carol in the Eucharistic canon of the Orthodox liturgy) of A. A. Arkhangel'skii and P. G. Chesnokov, basing on the results of the analysis substantiates for the first time in literature that there exist texts with a persistent canonized structure type in Orthodox liturgical singing which have the freedom of musical interpretation, and mentions that it is possible to gain a wide variety of music by preserving the single text and composition structure while using different melodic and graphic formulas.
Key words and phrases:
попевка
архетип
мелодико-графическая формула
формульно-попевочная вариантность
гомилетика
задостойник
popevka (distinctive melodic idiom)
archetype
melodic and graphic formula
formula-melodic idiom variation
homiletics
zadostoinik (a type of liturgical carol in the Eucharistic canon of the Orthodox liturgy)
Reader Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
  1. Алексеева Г. В. Византийско-русская певческая палеография: практикум. Владивосток, 2005.
  2. Алексеева Г. В. Древнерусское певческое искусство (музыкальная организация знаменного распева). Владивосток: Изд-во ДВГУ, 1983.
  3. Гарднер И. А. Богослужебное пение Русской Православной Церкви. М., 2004. Т. 1.
  4. Кручинина А. Н. Попевка знаменного распева в русской музыкальной теории XVII века // Певческое наследие Древней Руси (история, теория, эстетика). СПб., 2002. С. 46-151.
  5. Металлов В. М. Очерк истории православного церковного пения в России. М., 1893.
  6. Минея праздничная. М.: Издательский совет Русской Православной Церкви, 2002.
  7. Преображенский А. Культовая музыка в России. Л., 1924.
  8. Скабалланович М. Толковый Типикон. М., 2004.
All issues


© 2006-2025 GRAMOTA Publishing