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GERMAN CULTURE AESTHETIC FOUNDATIONS OF THE LAST THIRD OF THE XVIIITH CENTURY: J. G. HAMANN AND J. G. HERDER
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Arkadii Nikolaevich Makarov
Kirov State Medical Academy
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Submitted:
January 30, 2012
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Abstract.
The author discusses the German culture aesthetic foundations of the last third of the XVIIIth century by the example of J. G. Hamann and J. G. Herder's conceptions. Hamann's creativity is important because the German theorist analyzed the problems of intuition as the integral element of a truly creative person. Herder, in turn, was one of the first in Germany who undertook the attempt to place folk art into the centre of aesthetic systems, considered Shakespeare's works in that context, and continued Hamann's work, referring to emotional principles in artistic creativity and national traditions of culture.
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Key words and phrases:
немецкая культура
эпоха Просвещения
эстетика
И. Г. Гаманн
интуитивизм
И. Г. Гердер
народная культура
Шекспир
German culture
age of Enlightenment
aesthetics
J. G. Hamann
intuitionism
J. G. Herder
folk culture
Shakespeare
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References:
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- Brose Th. Johann Georg Hamann und David Hume // Europдische Studien zur Ideen- und Wissenschaftsgeschichte. 2006. № 13. S. 331-795.
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- Herder J. G. Herders Sдmmtliche Werke. Berlin: Weidmann, 1885. Bd. 25. 805 S.
- Lohmeier D. Herder und Klopstock: Herders Auseinandersetzung mit der Persцnlichkeit und dem Werk Klopstocks. Berlin - Zьrich: Gehlen, 1967. 218 S.
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