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SELF-CONSCIOUSNESS EVOLUTION OF REALIST PAINTER OF THE FIRST HALF OF THE XX CENTURY BY EXAMPLE OF N. YA. SIMONOVICH-EFIMOVA’S SELF-PORTRAITS
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Elena Ivanovna Kovycheva
Udmurt State University
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Submitted:
March 10, 2014
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Abstract.
The article analyzes N. Ya. Simonovich-Efimova’s self-portraits in the context of the painter’s self-consciousness evolution at various stages of the sociocultural history of Russia of the first half of the XX century. The master’s creative work, alternative to the official trends, hasn’t been examined yet in the Russian art criticism, although its value is indubitable due to adherence to art eternal qualities: interest for reality, humanism, belief in the creative personality’s freedom, firmness in the assertion of one’s ideals.
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Key words and phrases:
автопортрет
творческое самосознание
реализм
тоталитарная культура
self-portrait
creative self-consciousness
realism
totalitarian culture
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References:
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- Симонович-Ефимова Н. Я. Воспоминания о Валентине Александровиче Серове. Л.: Художник РСФСР, 1964. 188 с.
- Симонович-Ефимова Н. Я. Записки петрушечника и статьи о театре кукол. Л.: Искусство, 1980. 272 с.
- Симонович-Ефимова Н. Я. Записки художника. М.: Советский художник, 1982. 324 с.
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