|
License Agreement on scientific materials use.
|
PERCEPTION OF ACTOR’S BODY IN PLASTIC PERFORMANCE: PHILOSOPHICAL ASPECT
|
Elena Alekseevna Berezhnaya
Saint-Petersburg University of Humanities and Social Sciences
|
|
Submitted:
March 31, 2014
|
|
Abstract.
The article deals with the problem of the perception of an actor’s body by the spectator in a plastic theatre from the viewpoint of phenomenology and body-oriented approach in cognitive sciences. The paper investigates the method of the presentation of a piece of art by the example of the plastic theatre “PoemaTheatre” and the specifics of the perceptive process of a recipient. The author reveals the meaning of the phenomenon of “body thresholds” and also analyzes the peculiarities of the metaphysical interaction of the bodies of an actor and a spectator during the performance.
|
Key words and phrases:
тело
телесность
пластический театр
восприятие
феноменология
телесно-ориентированный подход
body
physicality
plastic theatre
perception
phenomenology
body-oriented approach
|
|
Open
the whole article in PDF format. Free PDF-files viewer can be downloaded here.
|
|
References:
- Бескова И. А., Князева Е. Н., Бескова Д. А. Природа и образы телесности. М.: Прогресс-Традиция, 2011. 456 с.
- Пави П. Словарь театра. М.: Прогресс, 1991. 504 с.
- Подорога В. А. Феноменология тела. Введение в философскую антропологию: материалы лекционных курсов 1992-1994 годов. М.: Ad Marginem, 1995. 340 с.
|
