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License Agreement on scientific materials use.
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GRAPHIC PRINCIPLES IN V. SHUKSHIN’S MOVIE “PECHKI-LAVOCHKI”
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Irina Valentinovna Shestakova
Altai State University
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Submitted:
September 10, 2014
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Abstract.
The article is devoted to the sequence of images in the movie of V. Shukshin. The author grounds the proposition that intensified author’s principle, original cinematographic language with symbols, metaphors, associative editing, recurrent figurative details, close-ups, long frames in combination with the game of angles are typical for the artistic “hand” of the director. It is concluded that the graphic principles and architectonics of the movie reflect the conception of the national unity of Russia on the basis of the preservation of its unique original culture.
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Key words and phrases:
изобразительный ряд
кадр
композиция
ракурс
режиссер
фильм
sequence of images
frame
composition
angle
director
movie
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References:
- Печки-лавочки. СССР: к/ст. им. М. Горького, 1972. Ч/б, ш/э. 103 мин.
- Тюрин Ю. П. Кинематограф Василия Шукшина. М.: Искусство, 1984. 319 с.
- Филимонов В. На берегу и в лодке. Герой шукшинского типа в кинематографе 1970-80-х гг. // Киноведческие записки. 2006. № 78. С. 273-293.
- Шукшин В. М. Признание в любви // Собрание сочинений: в 8-ми т. Барнаул, 2009. Т. 8. С. 51-55.
- Юренев Р. Н. Талант обещает многое // Искусство кино. 1973. № 12. С. 99-117.
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