|
License Agreement on scientific materials use.
|
SELF-DIRECTION AND SELF-REPRESENTATION IN CULTURE (BY THE EXAMPLE OF THE FIGURE OF NAPOLEON)
|
Mariya Sergeevna Kuvshinova
Russian State University for the Humanities
|
|
Submitted:
September 16, 2014
|
|
Abstract.
The author focuses on the reception of the image of Napoleon in the world and, in particular, the German culture. Special attention is paid to the legend created around the personality of this historical figure that was formed both by himself from ideological viewpoint and his contemporaries and later admirers. It is stated that the incompatibility of ideas on surrounding reality picture leads to unsolvable conflict between the hero and society; the romantic hero’s reality is actively recreated in accordance with the ideal that couldn’t but influence the appearance of a new hero of theatrical process, but already not an actor, a director.
|
Key words and phrases:
романтизм
Наполеон
романтизация
режиссура
саморепрезентация
romanticism
Napoleon
romantization
direction
self-representation
|
|
Open
the whole article in PDF format. Free PDF-files viewer can be downloaded here.
|
|
References:
- Берковский Н. Я. Статьи и лекции по зарубежной литературе. СПб.: Азбука-классика, 2002. 480 с.
- Блок М. Короли-чудотворцы. М.: Языки русской культуры, 1998. 712 с.
- Гейне Г. Путевые картины // Гейне Г. Собр. соч. в 10-ти т. Л.: Гослитиздат, 1957. Т. 4. 526 с.
- Гете И. В. Собрание сочинений в переводах русских писателей. СПб.: Типография М. М. Стасюлевича, 1893. Т. 5. 640 с.
- Гюго В. Собрание сочинений: в 15-ти т. М.: Государственное издание художественной литературы, 1954. Т. 5. 463 с.
- Кант И. Сочинения: в 8-ми т. М.: Чоро, 1994. Т. 5. 414 с.
- Мармон О.-Ф. Мемуары маршала Мармона о Наполеоне и его времени. М.: Рейттарь, 2003. 168 с.
- Мережковский Д. Наполеон. М.: Республика, 1993. 320 с.
- Наполеон. Афоризмы. М.: Фолио, 2011. 192 с.
- Шатобриан Ф. Р. Замогильные записки. М.: Наука, 1995. 736 с.
|
