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EPIC, SACRAL, DRAMATIC: DISTINGUISHING IMAGE-BEARING SPHERES IN PROCESS OF PASSION GENRE FORMATION
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Evgeniya Robertovna Rau
Herzen State Pedagogical University of Russia
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Submitted:
May 1, 2016
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Abstract.
The work is devoted to the history of passion genre in the European music. The article analyzes the original selection of image-bearing spheres in the process of the genre formation. Three opposed spheres are considered: the Evangelist’s narrative, the words of Christ and other characters of the passion plot. The interpretation of these image-bearing spheres can be traced in different periods of the genre existence. The conclusion is made about interrelation between different layers of meaning and the methods of creative thinking as one of the characteristic features of passion genre.
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Key words and phrases:
жанр пассиона
сюжет Страстей Христовых в искусстве
псалмодические пассионы
ораториальные пассионы
типы художественного мышления
художественная многоплановость
passion genre
plot of Christ’s Passion in art
psalmodic passions
oratorial passions
types of creative thinking
artistic diversity
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References:
- Ливанова Т. Н. История западноевропейской музыки до 1789 года: учебник: в 2-х т. М.: Музыка, 1983. Т. 1. По XVIII век. 696 с.
- Fischer K. von. Die Passion: Musik zwischen Kunst und Kirche. Stuttgart: J. B. Metzler; Kassel: Barenreiter, 1997. 145 S.
- Fischer K. von, Braun W. Passion // The New Grove Dictionary of Music and Musicians: in 29 vol. / ed. by S. Sadie, executive editor J. Tyrrell. L., 2002. Vol. 19. Paliashvili - Pohle. P. 200-211.
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