Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

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ISSUE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Theory & Practice. 2015. Issue 12-4
COLLECTION:    Art Criticism

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SURIMONO IN CREATIVE WORK BY HOKUSAI AND HIS FOLLOWERS

Zhanna Sergeevna Aleinikova
Ilya Repin St. Petersburg State Academic Institute for Painting, Sculpture and Architecture


Submitted: November 30, 2015
Abstract. The article discusses Katsushika Hokusai’s role in the formation of surimono art, one of the most mysterious and technically complicated genres of woodblock printing. The author identifies surimono typical features in the works of Hokusai’s followers. For the first time the paper examines in the Russian language some prints from foreign collections. Surimono art, including in Hokusai’s creative work, is insufficiently investigated, therefore the relevance of the subject is undoubted. The author concludes on the special importance and role of surimono in the development history of Japanese print ukiyo-e.
Key words and phrases:
японская гравюра
укиё-э
суримоно
Кацусика Хокусай
ученики Хокусая
Japanese print
ukiyo-e
surimono
Katsushika Hokusai
Hokusai’s followers
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References:
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  9. Karpenter J. Reading Surimono: The Interplay of Text and Image in Japanese Prints. Leiden: Hotei Publishing, 2008. 432 p.
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