Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

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ISSUE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Theory & Practice. 2016. Issue 3-1
COLLECTION:    Art Criticism

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MATRIX OF RUSSIAN VERSION OF MUSICAL IMPRESSIONISM

Aliya Talgatovna Saduova
Ufa State Institute of Arts named after Zagir Ismailov


Submitted: March 1, 2016
Abstract. In the article a model of the Russian version of impressionism is proposed for the first time. The author singles out two key levels of impressionism: philosophical-aesthetic and musical-typological ones. The indicators of the model of the Russian version of impressionism are the following: the perception of the World (correlation between subjective and objective), the embodiment of the World, the interpretation of the plot or the image, and musical language. On their basis a matrix, which allows explaining the aesthetics of impressionism and impressionistic methods (the absolutization of the moment and coloristics), is modelled.
Key words and phrases:
импрессионизм
эстетика импрессионизма
музыкальный язык импрессионизма
русский вариант импрессионизма
модель
матрица
импрессионистские методы
impressionism
aesthetics of impressionism
musical language of impressionism
Russian version of impressionism
model
matrix
impressionistic methods
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References:
  1. Кузнецова Е. А. Эстетика импрессионизма // Вестник Московского университета. Серия 7. Философия. 2000. № 2. С. 83-90.
  2. Лотман Ю. М. Тезисы к проблеме «Искусство в ряду моделирующих систем» // Лотман Ю. М. Об искусстве. СПб.: Искусство - СПБ, 2005. С. 387-400.
  3. Мескон М. Х., Альберт М., Хедоури Ф. Моделирование // Мескон М. Х., Альберт М., Хедоури Ф. Основы менеджмента. М.: Дело, 2002. С. 222-236.
  4. Садуова А. Т. Импрессионизм в русской музыке рубежа XIX-XX веков: истоки, тенденции, стилевые особенности: монография. Уфа: БАГСУ, 2014. 202 с.
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