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ARTISTIC ORIGINALITY OF EUROPEAN AND THE USA SCREEN DOCUMENTARIES OF THE 1950-1960S
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Maksim Fedorovich Kazyuchits
Academy of Media Industry
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Submitted:
October 1, 2016
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Abstract.
The article addresses some relevant problems associated with the formation and development of foreign screen culture, its nonfiction segment (movies and television), of the middle of the XX century. The paper aims to study the peculiarities of using expressive means in nonfiction films and television of European countries and the USA of the 1950-1960s. Increasing esthetic and artistic flexibility of screen documentaries allowed making it relevant both for the people and for power discourse.
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Key words and phrases:
кино
телевидение
документалистика
телепрограмма
публицистика
экранная культура
cinéma vérité
cinema
television
documentaries
TV-programme
publicistics
screen culture
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