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License Agreement on scientific materials use.
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ONTOLOGICAL CONSTANT OF CORRELATION BETWEEN CREATIVITY AND PSEUDO-CREATIVITY WITHIN THE TAOIST PHILOSOPHICAL TRADITION
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Il'ya Sergeevich Kachai
Siberian Federal University in Krasnoyarsk
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Submitted:
November 1, 2016
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Abstract.
The article aims to discover the ontological nature of creativity in the context of Taoist philosophy. The author focuses on analyzing the philosophical conceptions by Laozi, Zhuang Zhou, Zong Bing and Liu An. Relying on the research findings the paper for the first time explores the intention of ambivalent creation interpretation, which manifests itself through the opposition of creativity and pseudo-creativity. The paper identifies and describes the typical features of creativity and pseudo-creativity according to Taoist thinkers. The researcher justifies the necessity for essential differentiation of these phenomena from the ontological viewpoint in order to avoid the problems of social, personal and ideological nature.
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Key words and phrases:
творчество
псевдотворчество
бытие
за-бытие
хаос
пустота
даосизм
онтология
creativity
pseudo-creativity
existence
post-existence
chaos
vacuum
Taoism
ontology
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References:
- Древнекитайская философия. Собрание текстов: в 2-х т. М.: Мысль, 1972. Т. 1. 363 с.
- Малявин В. В. Чжуан-цзы. М.: Наука, 1985. 313 с.
- Торчинов Е. А. Даосские практики. Путь золота и киновари. СПб.: Азбука-классика; Петербургское востоковедение, 2007. 480 с.
- Философы из Хуайнани. Хуайнаньцзы / пер. с кит., вступ. ст., примеч. и указ. Л. Е. Померанцевой. М.: Мысль, 2004. 430 с.
- Чжуан-цзы. Ле-цзы / пер. с кит., вступ. ст. и примеч. В. В. Малявина. М.: Мысль, 1995. 439 с.
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