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License Agreement on scientific materials use.
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Saynète “La Revoltosa” (“The Troublemaker”) by Ruperto Chapí as Realization of Synthesis of Arts Principle in the Spanish Musical Theatre
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Vera Ivanovna Khamenok
Schnittke Moscow State Institute of Music
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Submitted:
June 26, 2020
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Abstract.
The article aims to identify the zarzuela genre features and to analyse specificity of their manifestation in the “La Revoltosa” (“The Troublemaker”) saynète by Ruperto Chapí. Scientific originality of the study is determined by the fact that the zarzuela genre has not been previously investigated in the domestic musicology. The research objective includes analysing the chico and zarzuela genres. Special attention is paid to studying principles of interaction of musical, dramatic and scenic elements in “La Revoltosa”. The paper considers the saynète as semiotic integrity, examines the role of the author’s remarks, proxemics, melodic and dynamic components. The research findings allow concluding that “La Revoltosa” is based on the synthesis of arts principle.
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Key words and phrases:
сарсуэла
жанр чико
сайнете
Руперто Чапи
синтез
проксемика
ремарка
семиотика
zarzuela
chico genre
saynète
Ruperto Chapí
synthesis
proxemics
remark
semiotics
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