License Agreement on scientific materials use.
|
|
Branding in a postmodern context: Sound logos as cultural markers
|
Mingxing Man
National Research Mordovian State University named after. N. P. Ogarev, Saransk
|
Submitted:
October 18, 2024
|
Abstract.
The aim of the study is to identify the peculiarities of sound logos perception and their role in shaping brand cultural identity in the context of postmodern culture. The article analyzes the interaction between audio and visual brand elements and their impact on consumers’ emotional perception. The significance of cross-modal correspondences and sound symbolism in creating effective audio assets is examined. The scientific novelty lies in developing a multicultural cognitive theory of sound symbolism perception, integrating universal cognitive mechanisms and cultural specificities. As a result, the study reveals the complex role of sound in creating brand cultural identity in the era of globalization and proposes new approaches to developing sound strategies for international brands.
|
Key words and phrases:
звуковой брендинг
постмодерн
культурная идентичность
звуковые логотипы
звуковая символика
эмоциональное восприятие
sound branding
postmodernity
cultural identity
sound logos
sound symbolism
emotional perception
|
|
Open
the whole article in PDF format. Free PDF-files viewer can be downloaded here.
|
|
References:
- Görne T., Kuldkepp K., Troschka S. Implications of crossmodal effects and spatial cognition on producing in spatial audio // Audio Engineering Society Convention Paper Presentation at Audio Engineering Society (AES) 150th Convention Online (May 25-28, 2021). Hamburg, 2021.
- Jackson D., Jankovich R., Sheinkop E. Hit brands: How music builds value for the world’s smartest brands. L.: Palgrave Macmillan, 2013.
- Kinoshita Y., Masaki Y., Muto T., Ozawa K., Ise T. Scenery based Kansei music selection for car audio systems // Institute of Electrical and Electronic Engineers, Inc 13th International Symposium on Consumer Electronics (Kioto, May 28-29, 2009). Kioto, 2009. https://doi.org/10.1109/ISCE.2009.5157047
- Osgood C. E., Suci G. J., Tannenbaum P. H. The measurement of meaning. Urbana: University of Illinois Press, 1957.
- Palmer S. E., Schloss K. B., Xu Z., Prado-León L. R. Music-color associations are mediated by emotion // Proceedings of the National Academy of Sciences of the USA. 2013. Vol. 110. No. 22. https://doi.org/10.1073/pnas.1212562110
- Reber R., Schwarz N., Winkielman P. Processing fluency and aesthetic pleasure: Is beauty in the perceiver’s processing experience? // Personality and Social Psychology Review. 2004. Vol. 8. No. 4.
- Spence C. Crossmodal correspondences: A tutorial review // Attention, Perception and Psychophysics. 2011. No. 73.
- Spence C., Sathian K. Audiovisual crossmodal correspondences: Behavioural consequences and neural underpinnings // Multisensory perception: From laboratory to clinic / ed. by K. Sathian, V. S. Ramachandran. N. Y.: Elsevier Inc., 2020.
- Spence C., Zampini M. Auditory contributions to multisensory product perception // Acta Acustica united with Acustica. 2006. Vol. 92. No. 6.
- Sundar A., Noseworthy T. J. Too exciting to fail, too sincere to succeed: The effects of brand personality on sensory disconfirmation // Journal of Consumer Research. 2016. Vol. 43. No. 1.
- Techawachirakul M., Pathak A., Calvert G. A. That sounds healthy! Audio and visual frequency differences in brand sound logos modify the perception of food healthfulness // Food Quality and Preference. 2022. Vol. 99. https://doi.org/10.1016/j.foodqual.2022.104544
- Whittington W. Sound design in new Hollywood cinema // Sound and music in film and visual media: A critical overview / ed. by G. Harper, R. Doughty, J. Eisentraut. N. Y. – L.: Continuum, 2014.
- Zatorre R. J., Belin P., Penhune V. B. Structure and function of auditory cortex: Music and speech // Trends in Cognitive Sciences. 2002. Vol. 6. No. 1. https://doi.org/10.1016/S1364-6613(00)01816-7
|
|