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License Agreement on scientific materials use.
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Art-brut photography: approaches to analysis and classification
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Anna Alexandrovna Suvorova
Herzen University, St. Petersburg
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Submitted:
May 26, 2026
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Abstract.
The study aims to classify photography within art brut and the work of outsider artists. The article examines the specifics of photography in art brut and outsider art of the 20th and early 21st centuries. The narratives, artistic concepts, and technical methods used in the works of Adolf Wölfli (1864-1930), Henry Darger (1892-1973), Eugene von Bruenchenhein (1910-1983), Miroslav Tichý (1926-2011), Jorge Alberto Hernandez Cadi (b. 1964), Alexander Lobanov (1924-2003), and Lee Godie (1908-1994) are explored. The novelty of the study lies in identifying the specifics (narratives, artistic concepts, and technical techniques) of photography in art brut and outsider art of the 20th and early 21st centuries; its core characteristics are defined: non-utilitarianism, conceptuality, radical divergence from mainstream art, and singularity. As a result of the study, the following key trends in art-brut and outsider photography were identified: 1) photography as authorial ontology or a tool for creating ideal universes; 2) the practice of photography as a compensation for mental dysfunctions or a means of overcoming trauma through the construction or presentation of the lives of “Others”; 3) the representation of alternative identities in photography.
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Key words and phrases:
классификация фотографии
аутсайдерское искусство
ар-брют
маргинальное искусство
современное искусство
classification of photography
outsider art
art brut
marginal art
contemporary art
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