Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

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ISSUE:    Philology. Theory & Practice. 2016. Issue 12-2
COLLECTION:    Study of Literature

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THE COMMUNITY OF POETICS IN WEDDING-RITUAL POETRY OF THE SMALL NATIONS OF SOUTHERN DAGESTAN

Fatima Magomedovna Ibragimova
Institute of Language, Literature and Art named after G. Tsadasa of Dagestan Scientific Center of the Russian Academy of Sciences


Submitted: December 1, 2016
Abstract. The article discusses the artistic originality of wedding-ritual poetry of three small nations of southern Dagestan. The paper emphasizes the significant role played by the connection of the text and melody, the music community of all southern Dagestan peoples, reveals their national identity. It is noted that in the wedding-ritual poetry of all three peoples descriptive and expressive means are widely used, and the priority is given to symbolism, techniques of parallelism. Various methods of wedding songs rhyming are considered: cross, adjacent, ring one.
Key words and phrases:
свадебный церемониал
ритуалы
герои свадебных песен
жених
невеста
форма бенда
рифмовка
специфические символы
восточная поэзия
wedding ceremony
rituals
characters of wedding songs
groom
bride
bend shape
rhyming
specific symbols
Eastern poetry
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References:
  1. Ибрагимова Ф. М. Свадебный обряд рутулов // Дагестанское село: вопросы идентичности. М.: Институт востоковедения РАН, 1999. С. 180-190.
  2. Курбанов М. М. Поэтическое наследие дореволюционного Табасарана. Махачкала, 1986. 81 с.
  3. Тарланов З. К. Агульские песни и пословицы. Петрозаводск, 2003. 132 с.
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