Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

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ISSUE:    Philology. Theory & Practice. 2017. Issue 7-1
COLLECTION:    Study of Literature

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CAVE IMAGE IN THE NOVELS BY PETER ACKROYD “THE FALL OF TROY” AND “THE PLATO PAPERS”

Elena Dmitrievna Nushtaeva
Moscow State University of Education


Submitted: July 1, 2017
Abstract. The cave is an interesting and mysterious natural object attracting the attention of the researchers from different spheres of knowledge: from speleologists and geologists to art critics. In the literature the cave image is known from the ancient times. This frightening and captivating place can became both the habitation of a terrible monster and the dwelling-place of a god. The article examines the cave image represented in the novels by the British post-modernist Peter Ackroyd. The novels “The Fall of Troy” and “The Plato Papers” are closely associated with antiquity where the tradition to describe the cave as a sacred sanctuary (mythology) or as a limited “dark” space distorting the sounds, images and visions comes from. Peter Ackroyd re-considers these approaches to cave image representation proposing his own post-modernist interpretation.
Key words and phrases:
античность
пещера
Платон
«Миф о Пещере»
постмодернизм
необъективность мышления
способы познания мира
antiquity
cave
Plato
“The Myth of the Cave”
post-modernism
unobjectivity of thinking
ways to cognize the world
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References:
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  2. Акройд П. Повесть о Платоне / пер. с англ. Л. Мотылева. М.: Астрель, 2010. 222 с.
  3. Березань М. П. Исторический Платон и его философия в постмодернистской биографии Питера Акройда «Повесть о Платоне» // Историческая поэтика жанра. 2011. № 4. С. 39-47.
  4. Иванченко В. Г. «Знак пещеры» [Электронный ресурс]. URL: http://www.cultoboz.ru/-lr/60--4/362-2011-07-11-11-25-36 (дата обращения: 25.04.2017).
  5. Платон. Государство / пер. с др.-греч. В. Н. Карпова. СПб.: Азбука, Азбука-аттикус, 2015. 352 с.
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