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Pedagogy. Theory & Practice

Philology. Theory & Practice

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Archive of Scientific Articles

CONTENTS:	Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Theory & Practice. 2017. Issue 12-2
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Historical Sciences and Archeology

THE GREAT UPHEAVALS OF 1917 IN RUSSIA: FOREIGN POLICY IMPLICATIONS AND NEW INTERNATIONAL REALIAS

E. B. Avakova
L. N. Goncharenko

VIETKA ARCHEOLOGICAL CULTURE OF THE MIDDLE NEOLITHIC PERIOD IN PRIMORYE

S. V. Batarshev
N. A. Dorofeeva
O. L. Moreva

GREAT BRITAIN AND ARAB SELF-DETERMINATION: THE QUESTION OF BOUNDARIES IN THE CORRESPONDENCE BETWEEN HUSSEIN AND MCMAHON

R. A. Bliznyakov
M. A. O’Dell

MEETING AND GREETING A GUEST AS AN ETIQUETTE NORM OF THE KARACHAI-BALKAR PEOPLE IN THE XIX CENTURY

A. N. Bolurova

TRANSFORMATION OF THE SYSTEM OF CULTURE CONTROL OF THE TASSR IN THE 1950-1960S

E. V. Bureeva

PROBLEMS OF INTEGRATION OF THE MOUNTAIN PEOPLE OF CENTRAL AND NORTH-EASTERN CAUCASUS IN THE STATE AND LEGAL FRAMEWORK OF THE RUSSIAN EMPIRE IN THE XVIII CENTURY

K. S. Vartanyan

THE ROLE OF CHARITIES FOR THE POOR CLERGY IN THE MATERIAL SUPPORT OF THE ORTHODOX PARISH CLERGY OF THE CENTRAL CHERNOZEM REGION IN THE SECOND HALF OF THE XIX - AT THE BEGINNING OF THE XX CENTURY

S. A. Ikonnikov

“TEMPLE OF SCIENCE” BY A. A. ZIMIN AS A SOURCE ON HISTORY OF COMMUNICATIVE FIELD OF THE SOVIET HISTORICAL SCIENCE

D. P. Isaev

UNIQUENESS OF WORLD NOMAD GAMES

K. U. Mambetaliev

INCOMES AND EXPENSES OF COLLECTIVE FARMERS’ MARRIED COUPLES LIVING ON A ONE-ON-ONE BASIS IN SVERDLOVSK REGION IN 1960 (BY THE MATERIALS OF ANNUAL BUDGETARY SURVEYS)

V. N. Mamyachenkov

CULTURAL AND CHRONOLOGICAL COMPLEXES OF GORNY KHUTOR-11 SETTLEMENT IN CHERNIGOVSK DISTRICT OF THE PRIMORSK TERRITORY

O. L. Moreva
N. A. Dorofeeva
E. V. Rol'geizer
S. S. Malkov

GOVERNMENT, DEPUTIES AND JOURNALISTS: ATTEMPT OF INTERACTION IN THE III STATE DUMA OF THE RUSSIAN EMPIRE

P. S. Nitkin

JUDICIAL REFORMS DURING THE PERIOD OF THE NOBILITY EMPIRE

I. G. Pirozhkova
V. V. Terekhov

TAMBOV PROVINCE IN THE CODE OF LAWS OF THE RUSSIAN EMPIRE

I. G. Pirozhkova

PROBLEMS OF NATIONAL-STATE CONSTRUCTION IN THE NORTH CAUCASUS IN THE 1920-1930S IN THE LATEST DOCUMENTARY PUBLICATIONS

A. T. Tsarikaev

DOMESTIC CRAFTS AND SMALL-SCALE ENTERPRISES OF THE SOUTHERN AND SOUTH-EASTERN REGIONS OF NIZHNY NOVGOROD PROVINCE IN THE SECOND HALF OF THE XIX - AT THE BEGINNING OF THE XX CENTURY

I. V. Chirkunov

ALIEN SPACES: NEW FORMS OF HETEROTOPIAS OF MODERN CITY

S. N. Yakushenkov

Philosophical Sciences

CULTUROLOGY THROUGH THE PRISM OF CULTUROLOGIST’S METHODOLOGICAL TRAUMA

E. L. Antonova
E. A. Antonov
A. E. Taranova
V. G. Turkina

LOGICAL POSITIVISM AND MODERN FORMAL PHILOSOPHY OF SCIENCE

N. L. Arkhiereev

THE BASIC PRINCIPLES OF SET-THEORETIC STRATEGY OF FORMALIZATION AND AXIOMATIZATION OF SCIENTIFIC KNOWLEDGE

N. L. Arkhiereev

THEOLOGY IN THE SYSTEM OF SECULAR EDUCATION IN MODERN RUSSIA

A. E. Vykhovanets

THE ROLE OF YOGACHARA IN THE DEVELOPMENT OF THE BUDDHIST PHILOSOPHICAL THOUGHT

A. T. Gulgenova

THE STRUCTURE OF PHILOSOPHICAL FOUNDATIONS OF MODERN SCIENTIFIC KNOWLEDGE

M. V. Doronina
V. I. Taburkin

PROTEST DYNAMICS AND RELIGIOUS COMMUNITIES IN NETWORK STRUCTURES OF SOCIAL ORDER

I. A. Doroshin

SOCIAL AND PHILOSOPHICAL ANALYSIS OF THE PROBLEM OF MIGRANT’S NATIONAL SELF-CONSCIOUSNESS

S. E. Dyzhin

THE CONTOURS OF NEW SPIRITUALITY IN GENDER DIMENSION

O. V. Kuznetsova
N. S. Smolina

SYNERGETICS IN THE SCIENTIFIC WORLDVIEW

K. K. Kuz'min

EVALUATION OF THE ARTISTIC AVANT-GARDE AS SOCIO-CULTURAL TRANSFORMATION IN THE WORK OF V. WEIDLE “THE DYING ART”

V. I. Luk'yanchikov
A. N. Tarasov

READING AS DISCRETION (NOTES ON PHILOSOPHICAL TEXT PERCEPTION)

G. V. Melikhov

INDIVIDUALIZATION OF THE HUMAN IN THE ERA OF GLOBALIZATION

N. S. Serova
S. S. Davlatmurodov

SHAMANISM AS NATURAL RELIGION

A. I. Toboev

IDENTIFICATION FUNCTIONS AND SOCIAL DYSFUNCTIONS OF HISTORICAL KNOWLEDGE

I. V. Tsifanova

HISTORICAL NARRATIVE AS A COMMUNICATIVE EVENT

A. A. El'darion

FRONTIER BROTHEL AS A PLACE TO MEET THE OUTSIDER

O. S. Yakushenkova

Art Criticism

THE FEATURES OF USING THE METHODS OF NATIONAL COSTUME DEVELOPING IN THE WEST EUROPEAN AND RUSSIAN FASHION: BACKGROUND AND DESIGN OF THE XXI CENTURY

I. Y. Bufeeva

RECORDINGS OF THE TATAR POET GABDULLA TUQAY’S WORKS ON GRAMOPHONE RECORDS OF THE BEGINNING OF THE XX CENTURY

I. M. Gaziev

ARTISTIC LIFE IN SARATOV AT THE END OF THE 1940S: ORIGINS OF UNOFFICIAL ART

E. A. Dorogina

MOSCOW ASSAY MASTER WITH THE STAMP “A • K”. WHO IS HE?

M. F. Dubrovin

VISUALIZATION OF CHARACTERS’ EMOTIONAL STATE AS A STAGE TECHNIQUE IN DRAMA THEATRE (TYPOLOGICAL CHARACTERISTICS)

A. I. Zykov

THE NOGAI ETHNIC COMPONENT IN YA. SH. SHERFEDINOV’S FOLKLORIC COLLECTION “KAYTARMA SOUNDS”

B. B. Kardanova

SYNESTHETIC NATURE OF STAGE INTERPRETATIONS OF I. STRAVINSKY‘S OPERA “THE NIGHTINGALE”

N. P. Kolyadenko
O. V. Mizyurkina

SPECIFICITY AND NATIONAL FEATURES OF THE DECORATIVE ART OF CHINA: ON THE QUESTION OF RELEVANCE OF NATIONAL TRADITIONS PRESERVATION

Y. Li

HINDEMITH’S DIALOGUE WITH THE FRENCH MUSICAL CULTURE IN THE COMPOSER’S PIANO CREATIVITY

M. Li

POLYPHONIC TECHNIQUE IN VLADISLAV ZOLOTARYOV’S COMPOSITIONS FOR MULTI-TIMBRAL BAYAN

A. S. Malkush

HERO IMAGE FORMATION, SIMILAR TO MUSICAL THEME DEVELOPMENT, IN YURI LYUBIMOV’S PERFORMANCES

O. N. Mal'tseva

AT THE ORIGINS OF ORCHESTRAL JAZZ: D. ELLINGTON - BANDLEADER, COMPOSER, PATRIOT

A. V. Ogorodova
E. I. Orshanskaya
A. A. Yagovdik

TRANSFORMATION OF SCULPTURE AS AN ART FORM IN THE SECOND HALF OF THE XX - AT THE BEGINNING OF THE XXI CENTURY

K. S. Podol'skaya

OPERA ART AS IMPLEMENTATION OF IDEALS OF ROMANTIC ESTHETICS

D. A. Popov

ARCHITECTURAL-ARTISTIC AND NATURAL-AESTHETIC TENDENCIES OF FORMATION OF TOURIST COMPLEXES ON THE TERRITORY OF THE TRANSBOUNDARY ALTAI

G. I. Pustovetov
F. S. Pomorov

MIKHAIL ALPATOV, OR WHAT IS SOVIET ART HISTORY?

A. V. Rykov

THE ROLE OF PORTRAIT SERIES IN THE IDEOLOGICAL-ARTISTIC PROGRAM OF THE CHESMENSKII PALACE

E. A. Skvortsova

TELEVISION OF SOUTHEASTERN ASIA: NEWS VS REALTY SHOW

M. C. Pham
A. A. Ulyura
K. N. Rajender

EXPRESSIONIST TREND IN TYUMEN FIGURATIVE ART

Z. L. Chernieva

EDITING AS AN ESSENTIAL FEATURE OF S. V. RACHMANINOFF’S CREATIVE METHOD (BY THE EXAMPLE OF AUTHOR’S EDITIONS OF LARGE-SCALE PIANO COMPOSITIONS)

N. I. Chestnova

THE MAIN TRENDS IN CONTEMPORARY ART OF MONGOLIA: THE ATTEMPT OF INTERPRETING WORKS OF ART

M. Y. Shishin
S. M. Belokurova
D. Uranchimeg

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