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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2013. № 5. Part 1. P. 38-40.
SCIENTIFIC AREA:    Philological Sciences
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ANTITHESIS AS MEANS OF ACTUALIZATION OF CONCEPT "LOVE" IN R. BURNS’S CREATIVE WORKS

Vystropova Ol'ga Stanislavovna
State Social-Pedagogical University


Abstract. The author describes antithesis as means of language realization of the concept "love" by the material of the most famous poems of Robert Burns, suggests the interpretation of the most important fragments of these works, retaining the figurative and value components of this concept, and in the process of reviewing the examples distinguishes and mentions the specificity of structure and functioning of one or another type of antithesis used in the poems of R. Burns.
Key words and phrases: базисный индивидуально-авторский концепт, антитеза, типы антитезы, оппозиция, языковая объективация, вербализация, ценностный компонент концепта, образ, образный компонент концепта, basic individual-authorial concept, antithesis, types of antithesis, oppo
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References:
  1. Vystropova O. S. Kontsepty "lyubov'", "svoboda", "chest'/dostoinstvo" v tvorchestve R. Bernsa // Izv. Volgogr. gos. ped. un-ta. Ser.: Filologicheskie nauki. 2012. № 6 (70). S. 83-86.
  2. Krasavskii N. A. Metaforicheskaya reprezentatsiya kontsepta "odinochestvo" v romane Germana Gesse "Stepnoi volk" // Refleksii. Zhurnal po filosofskoi antropologii. 2010. № 2. S. 118-133.
  3. Mandzhieva S. V. Klyuchevye kontsepty v rasskazakh O. Genri: avtoref. diss. … kand. filol. nauk. Volgograd: Peremena, 2010. 23 s.
  4. Fursova E. V. Diskursivnye parametry stilisticheskogo priema antitezy: na materiale angloyazychnogo khudozhestvennogo teksta: diss.. kand. filol. nauk. M.: MGLU, 2008. 182 c.
  5. Khazagerov T. G. Ritoricheskii slovar'. M.: Flinta: Nauka, 2009. 432 s.
  6. The Complete Works of Robert Burns, with Glossary Translation of Harder Burns Words into German, French, Spanish, and American [Elektronnyi resurs]. URL: http://www.robertburns.org/works/ (data obrashcheniya: 27.01.2013).

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